A couple of photos
Dec. 21st, 2006 09:08 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
pecuniumI shot some stuff at Dickens.
So here are a three, though because the images are more than 400 pixels wide I am placing them behind
The woman in the window isbarelyproper.
In the window
Looking in the window.
This was harder to play with, because the lighting in the Cow Palace is a type of sodium arc, in the window is tungsten, and I was using flash to fill.
The men regarding her were participants. They saw my set-up (I was using the middle-weight tripod) and asked if I was taking pictures of her. I allowed as I was actually taking in the entire scene. They asked if I should like them to stand in. I said, why yes, and they did.
The last picture is of Maia and myself, taken after hours.
I reduced the saturation, and then played with the contrast, the noise and the hue to make it look more like a hand tinted image, on with a flat lens and moderately insensitive film stock; so as to evoke the mood of the period.
We are using it as our Christmas card.
So here are a three, though because the images are more than 400 pixels wide I am placing them behind
The woman in the window is
barelyproper.In the window
Looking in the window.
This was harder to play with, because the lighting in the Cow Palace is a type of sodium arc, in the window is tungsten, and I was using flash to fill.
The men regarding her were participants. They saw my set-up (I was using the middle-weight tripod) and asked if I was taking pictures of her. I allowed as I was actually taking in the entire scene. They asked if I should like them to stand in. I said, why yes, and they did.
The last picture is of Maia and myself, taken after hours.
I reduced the saturation, and then played with the contrast, the noise and the hue to make it look more like a hand tinted image, on with a flat lens and moderately insensitive film stock; so as to evoke the mood of the period.
We are using it as our Christmas card.
