Some people don't get it
Feb. 26th, 2008 11:50 amSo, there's a community on Flickr (and I've been paying attention to community, in part becuase
evilrooster has sensitised me to the idea of building online community, and I'm looking at how different places/people do it.
I think this one has a bad model (which seems to be a non-unique model). One is supposed to comment on "x" number of photos prior to whatever photo you post to the group. I think, on watching how it works in practice. The problem is the comments aren't freely given, they are a quid pro quo. One of the reasons I think it's a failing model is the complaints people have about not geting the comments they are entitled to.
In this group the comment is a simple score. I happen to think so bare-bones a response is less than useful (is the score because of a personal preference, or does it reflect a school of criticism?, that's just the start of the problem).
So I add critique, detailing what did/didn't work for me.
Which led to this exchange:
++++
Me: The moody effect works for me, but the light is murky in the details of the ring, I have to work to see the intricacies of it, which steals from the impact.
The photographer: the light on the ring is mixed in the focus and out of focus areas, the ring is focused on the first plane and out of focus in the rear plane also the light is out of focus in the rear plane..... so the only clear details are on the focus area also I recomend to asjust ur monitor for pictures with a gamma of 2.2 for better apreciation
+++++
Ignoring the assumption about my monitor (s'he doesn't know how I've calibrated it) we have a couple of problems.
One, most people do have monitors which are gamma 1.8. Which means, should s/he want them to be in their best light... better to set the image to the norm, than to bitch if it fails to be viewed that way.
Two: S/he asked for comment. I looked at it in the large size, and made my comments. Best, when one gets a bad review, to take it as read, and drive on. Not tell the reviewer they don't get it. Worse yet to tell the reviewer they looked at it from the wrong standpoint.
There's a lot of art in the world. Some is for the artist (this can be good, or bad. Emily Dickenson wasn't writing her poems for the world). Most is for the world.
That's a collaboration. I make a poem, a photo, a sketch. If I want to share it with the world, I can (and it's so much easier now). The viewer brings all of the predjudices, training, understandings and experience s/he has. That colors how the image is seen, the poem is heard, the song enjoyed.
What they think about a piece can't be wrong. It may be ill-informed. It may be done without reflection, consideration or understanding, but it's not wrong.
And telling them it's wrong... is wrong.
Am I trepidatious when I put a piece up for examination? You bet. Rejection sucks. Detailed critique is painful. Expert critique can feel as if one is being flayed alive.
But if one puts it up, one has to take the criticisms at face value.
I'll close with some cuteness.

Синя
I think this one has a bad model (which seems to be a non-unique model). One is supposed to comment on "x" number of photos prior to whatever photo you post to the group. I think, on watching how it works in practice. The problem is the comments aren't freely given, they are a quid pro quo. One of the reasons I think it's a failing model is the complaints people have about not geting the comments they are entitled to.
In this group the comment is a simple score. I happen to think so bare-bones a response is less than useful (is the score because of a personal preference, or does it reflect a school of criticism?, that's just the start of the problem).
So I add critique, detailing what did/didn't work for me.
Which led to this exchange:
++++
Me: The moody effect works for me, but the light is murky in the details of the ring, I have to work to see the intricacies of it, which steals from the impact.
The photographer: the light on the ring is mixed in the focus and out of focus areas, the ring is focused on the first plane and out of focus in the rear plane also the light is out of focus in the rear plane..... so the only clear details are on the focus area also I recomend to asjust ur monitor for pictures with a gamma of 2.2 for better apreciation
+++++
Ignoring the assumption about my monitor (s'he doesn't know how I've calibrated it) we have a couple of problems.
One, most people do have monitors which are gamma 1.8. Which means, should s/he want them to be in their best light... better to set the image to the norm, than to bitch if it fails to be viewed that way.
Two: S/he asked for comment. I looked at it in the large size, and made my comments. Best, when one gets a bad review, to take it as read, and drive on. Not tell the reviewer they don't get it. Worse yet to tell the reviewer they looked at it from the wrong standpoint.
There's a lot of art in the world. Some is for the artist (this can be good, or bad. Emily Dickenson wasn't writing her poems for the world). Most is for the world.
That's a collaboration. I make a poem, a photo, a sketch. If I want to share it with the world, I can (and it's so much easier now). The viewer brings all of the predjudices, training, understandings and experience s/he has. That colors how the image is seen, the poem is heard, the song enjoyed.
What they think about a piece can't be wrong. It may be ill-informed. It may be done without reflection, consideration or understanding, but it's not wrong.
And telling them it's wrong... is wrong.
Am I trepidatious when I put a piece up for examination? You bet. Rejection sucks. Detailed critique is painful. Expert critique can feel as if one is being flayed alive.
But if one puts it up, one has to take the criticisms at face value.
I'll close with some cuteness.

Синя
no subject
Date: 2008-02-26 08:15 pm (UTC)no subject
Date: 2008-02-26 08:23 pm (UTC)TK
no subject
Date: 2008-02-26 08:37 pm (UTC)no subject
Date: 2008-02-26 08:41 pm (UTC)I've done that sort of explanation when someone commented on a feature, which was a feature. But that's not the tone s/he took.
If the image had a comment that, "best viewed in" it would be ok too. An artist can do whatever makes the work look best to the artist, but to require the viewer to jump through, secret, hoops, is assholey.
TK
no subject
Date: 2008-02-26 09:17 pm (UTC)Well, if I'm supposed to like it, because of all the clever work which was done, why ask for feedback?
I saw all those things (the narrow plane of critical focus, the angled light, the use of a narrow tonal range), and they didn't work.
That's the way it goes. If you want me to think it works, you can't. You don't have to change what you do to please me, but I'm not going to think it works.
TK
no subject
Date: 2008-02-26 09:25 pm (UTC)People are very good at spotting something wrong. They are not as good about figuring out what is wrong. So when somebody says "You should lead with this paragraph", that may or may not be solution, but you do know that the paragraph contains something important that you need to showcase.
And you always, always bitch about the edit in private, not to the editor.
Note: this is technical editing. Fiction may be completely different.
no subject
Date: 2008-02-26 10:48 pm (UTC)But golly, if one seeks out criticism, one had better be ready to have one's work critiqued and not whine that the audience is looking at it all wrong.
no subject
Date: 2008-02-26 11:12 pm (UTC)I think part of the problem is people don't get much critique. They get praises, but they don't get honest evaluations.
So they take it personally. I've had people decide that comments on the technical aspects of a photo was a criticism of the looks of the model.
I think, looking at the way the places which advertise critique handle it (one has an admin who's idea of good critique is to say, "here's your photo, now that I've fixed it for you," which isn't what I'm looking for. I'd rather have him tell me what it is he'd like to see changed.
Then again he also made some snarky assumptions about my equipment (telling me to buy the lens I was using, and mis-idenitifying it), which may have colored my perception of him.
But that wasn't in the realm of critiqueing the work, it seemed more to be in the way of insulting the artist.
Perhaps I am too touchy.
TK
no subject
Date: 2008-02-26 11:18 pm (UTC)I've seen this more in the writing areas but it sounds similar for photowork.
Also the comment on your monitor is just ass. Unless there were 'instructions to view' or somesuch that is just lame.
Zhaneel
no subject
Date: 2008-02-27 01:46 am (UTC)Flickr has a built-in audience, so you'd get good feedback fairly quickly. If you are interested in selling your photos, you might try Zazzle. Not sure if they have a critique area, but they do seem have recognition for views and comments.
no subject
Date: 2008-02-27 03:03 am (UTC)no subject
Date: 2008-02-27 03:20 am (UTC)TK
no subject
Date: 2008-02-27 03:43 am (UTC)